Exploring Soulful Landscapes with Sarah Evans

Nestled in the heart of Wales, Sarah Evans emerges as a captivating artist whose works breathe life into the serene landscapes of her homeland. Born in Aberdare in 1974, Sarah's journey from a dedicated nurse to a full-time artist, is as inspiring, as the vistas she paints.

Sarah Evans - Welsh Landscape Artist - Sweet Selection in Snow


From Healing Hands to Artistic Horizons:

Before embracing the canvas full-time, Sarah devoted 25 years to nursing, specializing in oncology, community care, palliative care, and counseling. Her transition to art wasn't abrupt; even during her nursing years, she found solace in painting, often after long shifts. This duality of care and creativity enriched her perspective, allowing her to infuse empathy and depth into her artworks. 

Sarah Evans - Welsh Landscape Artist - Acrylic

Artistic Style and Medium:

Sarah's artistry predominantly captures Welsh landscapes and seascapes. Utilizing acrylics and inks on plywood, paper, and canvas, she crafts pieces that resonate with emotion and authenticity. Her works, while rooted in real locations, often transcend mere representation, aiming to evoke personal experiences and feelings associated with the landscapes. 


Sarah Evans - Latest Shop Listed Artwork for Sale

Notable Works and Exhibitions:

Over the years, Sarah's talent has been recognized in various esteemed platforms:

2002: Selected for the National Portrait Gallery Exhibition "Portrait UK" with her self-portrait.

2015: Served as the Resident Artist at the Martin Tinney Gallery in Cardiff.

2016: Exhibited alongside Peter Moore at the Tegfryn Gallery, showcasing hauntingly beautiful depictions of Snowdonia and the North Wales coast.

2020: Her work was featured in the Royal Academy Summer Exhibition.


Sarah Evans - Welsh Artists Porthmeor Beach, St Ives - Acrylic on board


Beyond landscapes, Sarah's life is enriched by her three cats: Walter, Barry, and Flash. These feline companions often feature in her artworks and social media, adding a personal and relatable touch to her artistic narrative. 

Sarah Evans stands as a testament to the transformative power of art. Her journey from nursing to painting illustrates a seamless blend of care, emotion, and creativity. Through her evocative landscapes, she invites viewers to experience the profound beauty and spirit of Wales.

For a deeper dive into her works or to acquire a piece, visit her official website: sarahevanswelshartist.com




Mark Witton: Whisperer of the Paleoarts

 Imagine, if you will, a world where dragons once soared across the sky, giant beasts with wingspans that could rival small airplanes. Now imagine someone not only bringing them back to life with pen and paintbrush but doing so with the precision of a surgeon and the flair of a concept artist for Dune. Welcome to the world of Dr. Mark Witton - paleontologist, artist, author, and the internet’s favorite "Pterosaur Guy".

Dr. Mark Witton - paleontologist, artist, author, and the internet’s favorite Pterosaur Guy

From Fossils to Fine Art (and a Few Scientific Fisticuffs)

Witton isn’t just sketching dinosaurs for fun (though he is having fun). He’s got the credentials: a PhD in vertebrate paleontology from the University of Portsmouth, where he’s spent the better part of two decades reconstructing the lifestyles, anatomy, and ecological roles of extinct creatures -particularly his true loves: pterosaurs.


Support Mark Witton on Patreon: patreon.com/markwitton

Quetzalcoatlus lawsoni, if anyone's wondering - Mark Witton
"Quetzalcoatlus lawsoni" - if anyone's wondering - Mark Witton


Witton’s big scientific claim to fame? He helped upend the old “skinny flying lizard” model of pterosaurs. Thanks to his work, the scientific community now sees these creatures as robust, muscular, and likely covered in something akin to fuzz. Yes, fuzzy pterosaurs. Deal with it.


Mark Witton large Mesozoic mammal Didelphodon
'Large Mesozoic mammal "Didelphodon" a hard-biting, 4-6 kg carnivore that might have been semi-aquatic'

In one of his landmark papers, Witton—alongside colleagues like Darren Naish—provided evidence supporting a “quad launch” takeoff strategy in pterosaurs. That’s right: they vaulted into the air using all four limbs like some sort of biomechanical catapult. (Take that, Jurassic Park.)

Read more in Witton & Habib (2010): “The Extinction of the Pterosaurs: Investigating Their Biomechanics and Ecology.”

Paleoart with Principles (and Puns)

What sets Witton apart in the paleoart arena isn’t just his gorgeous, cinematic reconstructions of prehistoric life. It’s that he’s brutally committed to accuracy. He won’t just slap some scales and spikes on a beast and call it a day—he’ll dive into muscle attachment sites, behavioral ecology, and taphonomy.

In his own words, paleoart should:

Be based on peer-reviewed science,

Use biologically informed extrapolation where fossils go fuzzy,

And depict actual extinct organisms (so… no dragon/unicorn hybrids, sorry).

This philosophy is brilliantly laid out in his guidebook-slash-art-manifesto, The Palaeoartist’s Handbook: Recreating Prehistoric Animals in Art (buy it here)—which is half technical manual, half artistic pep talk, and all heart.

Want to see the results? Browse Witton’s full gallery here: markwitton.co.uk/palaeoart

Gigantopithecus keeps being mentioned. It needs to be more widely appreciated - Mark Witton
"Gigantopithecus keeps being mentioned. It needs to be more widely appreciated" - Mark Witton

Dinosaurs, Deep Time, and Diplodocus Drama

Beyond the pterosaur crowd, Witton’s art and research have tackled sauropods, marine reptiles, early synapsids, and even the broader field of paleoenvironments. His reconstructions are striking for what they don’t do: no oversized claws just for drama, no gaping mouths on every creature like they’re all auditioning for a horror flick, and—blessedly—no featherless raptors unless the data demands it.

Witton is part of a movement known as All Yesterdays—an effort to breathe life into extinct animals not just as skeletons with skin, but as real creatures that lived, slept, played, and sometimes just sat around looking weird. This includes speculative but plausible behaviors like camouflaging, social posturing, and yes, maybe even some prehistoric laziness.

Rhomaelosaurus takes the starring role. - Mark Witton
"Rhomaelosaurus takes the starring role" Mark Witton


Online, Outspoken, and Occasionally Hilarious

When he’s not in the field, Mark Witton is online—blogging, tweeting, and defending the dignity of prehistoric creatures everywhere. His blog (markwitton-com.blogspot.com) is a treasure trove of behind-the-scenes insights: from critiques of bad paleoart to deep dives into fossil evidence.

His commentary is sharp, often witty, and always backed by data. Think of him as the David Attenborough of dead things, with a bit more sarcasm.

You can follow him on:

🐦 Twitter: @MarkWitton


Why It Matters

Witton’s work does more than make dinosaurs and pterosaurs look good. It challenges how we think about the deep past. In a field where artistic license can too easily drift into fantasy, Witton brings it back to Earth—literally—reminding us that these creatures were real, complex, and worth getting right.

He’s changing the way museums educate, the way documentaries visualize, and even how kids (and kidults) imagine the prehistoric world.

www.markwitton.co.uk



Alone Together: The Vivid Emotional World of Alan Concas

Alan Concas, a contemporary painter from Udine, Italy, is renowned for his evocative use of color and texture, crafting artworks that resonate with emotional depth and introspection. His pieces often explore the human condition, delving into themes of solitude and connection.


ALCHIMIA oil on canvas 50x50 2010 by Alan Concas 11:49 PM · Feb 4, 2012

Alone Together and Other Reflections on the Human Condition

A closer look at the Alone-Together series and other standout works that delve into solitude, intimacy, and psychological space.

One of his notable works, Alone-Together (2019), exemplifies his ability to capture complex emotional states through oil on canvas. This piece, like many others, invites viewers to reflect on the nuances of human relationships and the spaces between isolation and togetherness

A Vision in Colour and Texture

Explore how Alan Concas uses rich palettes and layered textures to evoke emotion and tell visual stories that transcend language.


Concas's portfolio includes a diverse range of paintings, such as Alchimia (2019), Inside Closed (2023), and Feeling Blue, each showcasing his signature style that blends vibrant hues with tactile surfaces. His works often feature abstract forms and layered textures, creating a dynamic visual experience that engages the senses.


From Udine to Venice: Exhibitions and Artistic Journey

A snapshot of Concas’s career, including key exhibitions and how his Italian roots and surroundings shape his creative output.

Throughout his career, Concas has exhibited his art in various venues, including the Galleria Arttime in Udine, Il Cantiere Art Gallery, and the Park Hotel Ai Pini in Venice Mestre. These exhibitions have allowed audiences to experience his art firsthand, offering insights into his creative process and thematic explorations.


Beyond his paintings, Concas shares his artistic journey through his YouTube channel, providing viewers with a glimpse into his studio practices and the inspirations behind his work. His online presence extends to platforms like X (formerly Twitter), where he engages with a broader audience, discussing art and sharing updates on his latest projects.


Alan Concas's art continues to captivate and inspire, inviting contemplation and dialogue through his masterful interplay of color, texture, and form.

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