C.A Reyna: Abstract Horizons in the Heart of New Mexico

In the desert hush of New Mexico, where the sky stretches wide and colors blaze at dusk, abstract artist Charles Anthony Reyna has found his canvas and calling. A self-taught painter whose journey began in 2010, Reyna’s art emerges not from formal schools but from instinct, emotion, and a profound connection to place. For collectors drawn to sincerity over spectacle, Reyna’s work offers a rare, grounding presence—rooted in the land and elevated by the abstract.

A Self-Made Eye for Abstraction

Unlike many contemporaries, Reyna entered the art world quietly. With no formal training, he began exploring abstraction on his own terms—trusting mood, memory, and motion to guide his brush. His work reflects an intuitive mastery of color and composition, reminiscent of the great modernists he cites as influence: Mark Rothko, Frida Kahlo, Georgia O’Keeffe, and Andy Warhol.

But rather than imitate, Reyna distills. From Rothko, he draws a love of space and emotion. From Kahlo and O’Keeffe, a reverence for place. And from Warhol, perhaps a subtle understanding of the personal made public—though Reyna’s voice is quieter, more meditative.

The Technique: Emotion as Medium

Reyna’s expressive technique lies in layered acrylics, built in washes and blocks of color that shift between fields and forms. His process is slow, observational, and responsive—guided less by outcome than by balance. A painting may begin with the feeling of heat on adobe or the memory of a Chama river breeze, but it ends with a visual poem: equal parts landscape and emotion.

He often paints on smaller square canvases—12″x12″ or 20″x24″—which lends an intimacy to the viewing experience. Each canvas is a window into a place felt rather than seen, crafted with deliberate simplicity and rich tonal depth.

The Colors of New Mexico

Collectors particularly prize Reyna’s Colors of New Mexico series, a body of work that pays tribute to the region’s majestic geography:

• Chama: Serene blues and sandy earth tones evoke the flow of the Rio Chama.
• Santa Fe: Warm reds and burnt oranges recall the city’s storied sunsets and adobe silhouettes.
• Taos Pueblo: Subtle, historic hues layered like memory and tradition.

Chama - CA Reyna - Colors of New Mexico

Santa Fe - Colors of New Mexico - Charles Reyna Abstract Art

These are not literal landscapes—they’re emotional landscapes. Abstract meditations on space, stillness, and story. The longer you sit with them, the more they reveal.

Where to Find His Work

Reyna’s pieces are available directly through his official website and via platforms like Etsy and Saatchi Art. His originals are refreshingly accessible, ranging from $85–$275, with open-edition giclée prints starting around $40.

For seasoned collectors or first-time buyers, Reyna offers a compelling entry point: work that is deeply personal, regionally evocative, and aesthetically enduring.

Why Collect Reyna?

Authenticity: Each piece is a sincere expression of time and place—unfiltered by art world trends.

Accessibility: Modest price points make Reyna’s originals and prints highly collectible without compromising quality.

Emotional Depth: His technique invites the viewer to feel, not decode. These are pieces meant to live with, not just look at.

Whether you’re curating a wall or beginning a collection, Charles Anthony Reyna’s work is a beautiful reminder of what abstract art can offer: an echo of the world, filtered through feeling.

Alone Together: The Vivid Emotional World of Alan Concas

Alan Concas, a contemporary painter from Udine, Italy, is renowned for his evocative use of color and texture, crafting artworks that resonate with emotional depth and introspection. His pieces often explore the human condition, delving into themes of solitude and connection.

Alone Together and Other Reflections on the Human Condition

A closer look at the Alone-Together series and other standout works that delve into solitude, intimacy, and psychological space.

One of his notable works, Alone-Together (2019), exemplifies his ability to capture complex emotional states through oil on canvas. This piece, like many others, invites viewers to reflect on the nuances of human relationships and the spaces between isolation and togetherness

A Vision in Colour and Texture

Explore how Alan Concas uses rich palettes and layered textures to evoke emotion and tell visual stories that transcend language.

Concas's portfolio includes a diverse range of paintings, such as Alchimia (2019), Inside Closed (2023), and Feeling Blue, each showcasing his signature style that blends vibrant hues with tactile surfaces. His works often feature abstract forms and layered textures, creating a dynamic visual experience that engages the senses.

From Udine to Venice: Exhibitions and Artistic Journey

A snapshot of Concas’s career, including key exhibitions and how his Italian roots and surroundings shape his creative output.

Throughout his career, Concas has exhibited his art in various venues, including the Galleria Arttime in Udine, Il Cantiere Art Gallery, and the Park Hotel Ai Pini in Venice Mestre. These exhibitions have allowed audiences to experience his art firsthand, offering insights into his creative process and thematic explorations.

Beyond his paintings, Concas shares his artistic journey through his YouTube channel, providing viewers with a glimpse into his studio practices and the inspirations behind his work. His online presence extends to platforms like X (formerly Twitter), where he engages with a broader audience, discussing art and sharing updates on his latest projects.

Alan Concas's art continues to captivate and inspire, inviting contemplation and dialogue through his masterful interplay of color, texture, and form.

Discovering the Urban Poetry of Kandan G: A Journey Through Abstract Emotion

 In the ever-evolving world of contemporary art, few voices resonate with as much poetic urgency and visual rhythm as Kandan G. A master of abstract expression with over 35 years of professional experience, this Karnataka-born artist transforms the chaos and beauty of modern life into vivid, thought-provoking works that are as emotionally charged as they are visually arresting.

From the moment you encounter one of Kandan G’s paintings, there is a magnetic pull, an energetic hum of movement, color, and meaning. His brushstrokes feel alive, not merely capturing the external bustle of cityscapes but also the internal tempo of human emotion within these spaces. Through bold abstractions and semi-figurative hints, he conjures up the Poetics of Emotions, a series that, true to its name, paints feelings as landscapes and turns inner experiences into external realities.

Kandan G’s work explores what he calls the "visual spectacle of urbanization." Rather than depicting buildings and people in literal terms, he allows their essence to bleed through shape and color. His compositions often echo the frenetic pace of city life, portraying both the exhilaration and the distortion that come with it. With each piece, he offers a kind of abstract storytelling, where motion meets stillness and where the known world becomes something profoundly new.

One can’t help but be drawn into the textured depth of works like Contemporary Society-01 or the haunting serenity of "Poetics of Emotions 68". These are not mere paintings; they are invitations to pause, reflect, and feel. His color palette is rich and intuitive, shifting from luminous bursts to grounded tones, always guided by emotion rather than logic.

What makes Kandan’s work even more compelling is the philosophical thread that runs through it. An avid reader and traveler, he brings insights from science, literature, and life into his studio. This intellectual curiosity pulses beneath each piece, making his abstract expressions both deeply personal and universally resonant.

Beyond the canvas, Kandan G has made his mark across respected online art platforms, including Artflute, Mojarto, and Saatchi Art, where his work continues to find a global audience. For a more intimate look at his creative process, his Instagram account, @kandangmangalore, provides glimpses into his world, one brushstroke at a time.

In a time when our lives are increasingly fragmented, fast-paced, and complex, Kandan G’s abstract works offer a necessary counterbalance. They ask us to slow down. To interpret without certainty. To feel without naming. And in that space—in the quiet between color and meaning—we find something rare: a genuine emotional connection, born from the heart of an artist who sees the world not just as it is, but as it feels.

If you haven’t yet explored the work of Kandan G, now is the perfect time. His art doesn’t just hang on walls—it lingers in your thoughts, stirs your soul, and reminds you of the power of abstraction to reflect the beauty, confusion, and wonder of being alive.

For Art Sakes - Impressions and Planets

Above the city lights, on the 15th floor, Cape Town's illustrious apartment view is backdropped by an explosion of artistic flavour and flair. At 10pm, the flamboyant Avisha sets the optics to delight with an array of acrylic colours and boundless blends.

'For Art Sakes' features a combination of air, fire, and earth, with crisp silica coatings to produce a mixture of enthralling patterns and textures. Bursts of colour and heat add a blistering passion in her myriad of swirling designs. 

Ocean Planets - For Art Sakes

Cape Oceans and Painting Planets

Avisha Van Der Westhuizen grew up in South Africa and worked hard as an au pair, becoming very independent to grow successfully in a corporate environment. Spending time in the Western Cape meant an abundance of wilderness, flora, oceans and amazing sunsets. 

Galvanised by her Tibetan terrier, Avisha took to painting as recently as 2019. After much praise from respectable art critics, Avisha grabbed the abstract world by storm and founded 'For Art Sakes'. 

Her delightful attitude towards hard work, creative moments of inspiration, and enthusiastic love for surrealism, led Avisha to producing over 200 pieces of art in just 3 years. Her talent and enthusiasm glows in spite of many challenges in life. Avisha has promoted her work by giving away custom pieces and painting on friends' jackets, furniture, interior walls and flooring. The art provides warmth in a fuzzy layered ooze that resembles, at times, the haze and elves of 'middle earth' or the swirling convection of a gas giant like Jupiter.

2021 holds many wonderful occasions, and Avisha will be promoting her work online and by displaying her 'Ocean Planets' series in some of Cape Town's most prestigious art galleries.

Keep up to date with Avisha here:

Follow on Instagram

'A benign approach oozes confidence and genius...'

Dragon Blue - Planet of Irin

Silent Sprite Forest

Support one of Cape Town's finest abstract artists right here with Nunzio Shopping. We are providing a promotion on digital prints during 2021/22 with more details below. You can purchase signed art directly from Avisha here.

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NUNZIO SHOPPING:

Artist: For Art Sakes by Avisha Van Der Westhuizen

Description: Available in A1 or A0

Series: Ocean Planets - Signature 2020/21 Series

Delivery: South Africa Included

Purchase Here: E-Mail Enquiry

Lark (Item: 023)

Psirose (Item: 017)

Cano (Item: 012)

Feather (Item: 025)

Vintage Design at Cape Clocks

Cape Clocks is a young venture that has grown immensely here in the Western Cape, creating beautiful custom clocks that are stylishly aesthetic and liven up any home or office interior.
The art that Matthew Wyness and his colleagues at Cape Clocks produce is exceptional in that it aligns perfectly with the rigid precision of clockwork while adding beauty. 

The custom pieces are creative, imaginative, elegant, and naturally brought together.

It's a delightful passion. Creating different textures, shapes, designs, and materials to manufacture beautifully practical objects that we use every day. To brighten up the moment and to acknowledge our human craftsmanship.

I think these make wonderful gifts and are truly special. With a wide variety of clocks, they are encouraged by their customers' input and can create something unique and personal in a very quick time!

"It's time to be different"

From the Cape Clocks Facebook page:

"Making use of sustainable materials in the manufacturing process, these materials may include OSB, MDF, and bamboo wood. With great satisfaction in up-cycling sound, and exotic timber, and doing our little bit to save the forests. Cape Clocks select paints very carefully and even make our own milk paint.

Decorating with clocks is a cool way of adding style, panache, and function to all spaces in the home. A given clock may provide elegance, sophistication, and mood. Or even rustic charm and warmth. Some clocks have stunning, head-turning appeal.

More and more, we see eclectic collections of clocks displayed with great effect."

Visit the Cape Clocks website for personalized craft clocks to match your interior.

"All of the clocks pass the classic close-look test with flying colors - because nothing beats the winning mix of quality materials, caring craftsmanship, and passion."

Support Cape Clocks and view more of their great work on Instagram.

Palm Light at the tip of Africa

These gorgeous works of art combine leaves of the Queen Palm, (Cocos Plumosa) and Alexander Palms to create stunning lamps for various lighting uses.

Pierre Depaepe currently resides in Somerset West, the Western Cape of South Africa, and perfects his trade in Palm Lights. Having worked with plants for most of his professional life, Pierre uses his skills to brighten up any home, restaurant and office interior with tall majestic lampshades.

Photos courtesy of Cassandra Lambert

Starting out in 2008, he began using the Alexander palms to create smaller lampshades, but has resorted to the more sturdy queen palm for the larger items. Still managing to bend and twist the leaves to create stunning shapes that capture the imagination and fit elegantly next to your bookshelf. Once the sculpture is complete, it can be decorated with a variety of lighting colours and styles.

You can order the lampshades directly through Pierre by visiting his Facebook page and making contact via e-mail or telephone. These products can be shipped anywhere in the world and are made according to customer specification.

Pictures are mostly a guideline, as no two lamps are the same and most of the pictured ones have been sold.

Palm Light also exhibits at various markets and wine farms in the Western Cape, join us on twitter if you'd like to keep up to date!

Support Pierre by visiting his facebook page here.

Pierre displays his lampshades at various markets in Stellenbosch, Cape Town and Somerset West

Africa is Now - Showcase by Design Indaba - EXPO 2014

With Cape Town receiving the title of the World Design Capital for 2014, the annual Design Indaba has shown exactly why we are on a whole other level in the world of design. Story by Leandri De Kock.

As usual, the Design Indaba expo, held at the CTICC in February, had all the things you would expect from the biggest design expo in the southern hemisphere – 
handmade items, home ware, architecture, furniture, jewellery and fashion, with everything manufactured locally. 

What makes DI different to other design expo’s is the quality of the exhibitors, their detail and the depth in their displays, and for the first time this year, the expo features designers from all over the continent, expanding the global impact our local designs currently make. DI features over 450 exhibitors all carefully chosen to represent South Africa, and specifically Cape Town for the World Design Capital title.. but it’s the general focus Design Indaba and their exhibitors have that makes this expo stand out...


Every item you see, from furniture to fashion, focuses on architecture, the use of textiles, sustainability, and making everything as environmentally friendly as possible.

At the moment, we live in a society where we are so used to everything being described as “green” or “eco-friendly”, and we can easily get tired of the redundancy, but what Design Indaba has done is make these old ideas refreshing and sustainable in an African context. The exhibitors use different ideas of modernity and bring it into a traditional African sense without making it the type of thing you see at every tourist curio shop.

"Design Indaba delivers every year, showing just how amazing and advanced South African designs can be."

The feature exhibit this year is the “Africa is Now” showcase, describing Africa as resourceful, sharp, transformed, tradition reinvented and urban, each with their own designs on how Africa is exactly that. 
The expo also has different platforms for young creatives, such as the “Emerging Creatives” project which is sponsored by the Department of Arts and Culture, who gives designers of the next generation the opportunity to get on the platform next to the established designers at Design Indaba.

The elaborate fashion shows, produced by the Cape Town Fashion Council, brings 20 shows to the expo, showcasing local fashion and couture by South Africa’s leading designers. Putting a “tribal glamour” twist on the fashion, it also focuses on the “green” idea and using sustainable and recyclable materials in their designs.

It can’t be said that the expo showcases everyday designs, or builds on ideas you’ve seen before. Design Indaba delivers every year, showing just how amazing and advanced South African designs can be. But it goes without saying, that with the title of World Design Capital for 2014 in Cape Town, Design Indaba obviously had to make it their best and most innovative year so far...and they most certainly did that!
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Original handmade accessories by Madame

The smooth, flowing beauty in these handcrafted jewellery items can only attract the finer delights in one's eye.  Brightening up our screens all the way from a quaint little town in Sofia, Bulgaria. Madame reveals an exquisite combination of grace and harmony in her work.

"All our creations are made with natural materials, leather and semi-precious stone.  They please the eye with their natural beauty and stimulate the body to infuse positive energy."

 

 

Via Madame - "These creations are a compliment to a woman's beautiful combination of style and fashion."

 

"Later we realized the importance that the accessories had in our outfits, of just how the bracelet or necklace might give each dress completeness and originality.  So we decided to create fine handmade accessories and offer you our idea's. To bring a little ray of joy in your everyday life!"

 Please visit Madame Facebook for more of her amazing work!

Glamour and Grit in a Gilded Age | Marilyn Minter

In the golden haze of our ever-tilting modernity, where lipstick meets lens and sweat kisses sequins, there emerges from the lacquered shadows a siren of spectacle and spectacle’s critique — none other than the illustrious Miss Marilyn Minter.

Blowing the top off our list of June reviews is this steamy sexy collection of paintings and photographs. 

Vibrant colours whipped out in the delicious world of fashion and glamour, Minter's art oozes with attraction and taste. A pioneer in the world of magnetism and make-up, her work blends the feint texture of beauty and style in the art world. In a way that leaves our mouths watering for more.

THE DAZZLING WORLD OF MISS MARILYN MINTER

Born beneath a Southern sun in the year of our jazzed-up Lord, 1948, and reared on Florida’s breezy promise, Miss Minter has sashayed her way through the hallowed halls of fine art, cocktail in one hand, camera in the other, all while thumbing her nose at the dainty ideals of powdered prettiness.

From the outset, our gal wasn’t content to just powder her nose  no, she took that mirror, fogged it with a breath, and painted over it with smudged mascara and diamond-flecked dreams. Through panes of glass glistening with dew and desire, she captures, nay immortalizes, luscious close-ups of lips, lashes, and lacquered toes, bathed in glimmer and grime. The result? A kind of lush modern jazz of the eyes. A visual Charleston with attitude.

Her canvases — rendered not in oils but in enamel on metal, darlings! Glisten! Like the back room of a speakeasy just before the cops crash the joint. Each piece is labored over with such obsessive finesse, one might imagine Miss Minter with a monocle, squinting through the steam like a glamourous detective of sensuality.

But don’t be fooled by the shimmer, this is no ode to idle vanity. Oh no! Miss Minter dares to confront us with the grit beneath the gloss. 

In a society drunk on filters and fantasy, she shows us chipped polish, rogue curls, and the kind of gorgeous perspiration that only truth can produce.

Why, her “Pretty/Dirty” retrospective was a regular who’s-who of the art world — darling, even the walls were blushing! And when she teamed up with M.A.C. Cosmetics? The whole affair was a swanky marriage of lipstick and liberation, shaking up Madison Avenue like a gin martini with a feminist twist.

Some say she paints like Man Ray in a feather boa; others say her photographs are the lovechild of Vogue and vice. We say: she’s the queen bee of bedazzled defiance, painting the 21st century with a vintage wink and a devil-may-care grin.

So next time you see a glistening lip, an eyelash drowned in diamonds, or a heel stomped through sugar and mud — tip your cloche hat to Miss Minter. She’s not just painting women, dear hearts.

She’s painting the truth in rouge, sweat, and stardust.

🎷

For your viewing pleasure, peep her dazzling oeuvre at www.marilynminter.net, or tiptoe into the refined halls of Lehmann Maupin Gallery for a close encounter of the fabulous kind.

Let the jazz play on, and let Miss Minter shine.

Marilyn Minter - Selected Artworks

Marilyn Minter has been the subject of numerous solo exhibitions including the San Francisco Museum of Modern Art in 2005, the Center for Contemporary Art, Cincinnati, Les Rencontres d’Arles festival in 2007, France, OH in 2009, La Conservera, Centro de Arte Contemporáneo, Ceutí/Murcia, Spain in 2009, the Museum of Contemporary Art, Cleveland, OH in 2010 and the Deichtorhallen in Hamburg, Germany in 2011. Her video Green Pink Caviar was exhibited in the lobby of the MoMA for over a year, and was also shown on digital billboards on Sunset Boulevard in LA. She has been included in numerous group exhibitions. In 2006, Marilyn Minter was included in the Whitney Biennial, and in a collaboration with Creative Time she installed billboards all over Chelsea in New York city. In 2009, she had solo exhibits at Regen Projects, Los Angeles and Salon 94, New York. In 2011 Minter had a solo exhibition at Team Gallery, New York. She was featured in Commercial Break, at the Garage Center for Contemporary Culture and POST, for the 2011 Venice Biennale. Her work is currently featured in “ Riotous Baroque”, a group exhibition at the Kunsthaus Zurich which will travel to the Guggenheim Bilbao in June 2013.

Salon 94
www.marilynminter.net
12 East 94th Street 
New York, NY 10128
T. 646.672.9212
Regen Projects
633 North Almont Drive
Los Angeles, California 90069
T. 310.276.7430